Untilla Gabbock
Basic Information
Bloodline Ability
This Bloodline ability has not yet been unveiled to you.
Physical Description
Untilla is a large and powerfully built man who appears to be somewhere in his very early twenties, D-grade having replaced any trace of his hundred and fifty years with something between a sculptor's ideal and a force of nature given a body to live in. His skin is a deep, warm brown, his frame is broad and dense through the shoulders and chest with the kind of functional mass that comes from a lifetime of physical work in demanding terrain rather than any deliberate cultivation of it. His face is wide-jawed and strong, with dark eyes that sit beneath heavy brows and carry an alertness that never fully switches off even when the rest of him is at rest. His black hair is worn close on the sides and longer on top, loosely gathered when he is in the field. What makes him immediately remarkable, however, is the tattoo work. His body is covered from the jaw down in dense, interlocking traditional geometric patterns rendered in deep blue-black ink, the kind of work that takes years and represents something specific in the culture it comes from, though in Untilla's case the culture is his own, built over a hundred and fifty years of solitary practice and personal significance. Every panel of the work means something. He does not explain what.
Untilla moves through built environments the way water moves through a space that does not quite fit it: functionally, without complaint, and with a quality of held patience that suggests the space is temporary. In the wild he is something different entirely, quieter and more settled and considerably harder to track than a man his size should be. City guards who have worked the outer gates for years describe him as someone who appears at the perimeter and is simply there before they registered his approach, not through any stealth but through a quality of movement that does not announce itself. He speaks in short, complete sentences and does not repeat himself. He gives his field reports to the city council in writing, dropped at Quon's office during the hours when Quon is least likely to want to have a conversation about them. He carries his own tattooing tools at all times and adds to his work during long nights in the field, which means the record on his body is always slowly growing. He has not decided what he will do when he runs out of skin. He considers this a problem for a future century.
Personality & Temperament
- Absolute reliability in field intelligence
- No ego attached to credit or recognition
- Reads terrain and threat with total precision
- Does exactly what he says he will do
- Calm in conditions that break other people
- Presence in the city feels like an obligation
- Does not soften observations for comfort
- Deepest relationships are with landscape
- Anger at Faulka is specific and unresolved
- Dislikes being the most like her of all of them
I know every road out of this city. I know what lives at the edge of each one and what lives further in. She taught me that without meaning to. I still count it against her.
The city tells me when something is wrong beyond its walls before anyone else knows to ask. That is what I am here for. I come back when it needs me. That is the whole of the arrangement.
I have thought about what I would say to her when they bring her in. Most of it does not need to be said out loud. Some of it I will say anyway.
- Three days without seeing another person
- Ground that has not been walked on recently
- Adding to his tattoo work by firelight
- The specific silence of high ground at dawn
- Problems that require moving rather than talking
- Council meetings, every single one of them
- Being in the city longer than necessary
- People who describe the wild as dangerous
- The specific sound of city crowds
- That his life looks like Faulka's life