Basic Information
Bloodline Ability
This Bloodline ability has not yet been unveiled to you.
Physical Description
C-grade beauty sits on Averei as something qualitatively different from what her D-grade siblings carry. Where Rayeene produces in a room the effect of an extraordinary person being present, Averei produces the effect of something that should not quite exist being present, a quality that observers describe afterward as light seeming to behave differently near her, or as the sensation of having briefly stood somewhere very old and very alive. She appears to be perhaps seventeen, the consequence of being a hundred and eighty years into a fifty-thousand-year potential lifespan, and the C-grade physical perfection applied to features that are already luminously lovely yields a result that stops conversations without her doing anything at all. Her skin is pale with a warmth in the undertones that prevents it from reading as cold, her hair is a honey-gold that falls to the middle of her back and catches light with the lazy richness of something more alive than ordinary hair tends to be, and her eyes are a soft grey-green that people remember specifically after meeting her, the way you remember a particular afternoon of unusual quality. Then there are the wings. Large, fully feathered, spanning perhaps twelve feet at full extension, and a white so clean and faintly luminous that in dim light they appear to generate their own quiet glow. She carries them folded against her back in the city with the easy unconscious habit of someone who has had them long enough to forget other people need to adjust to them.
Averei has a laugh that arrives quickly and fully, the laugh of someone who has never learned to hold it back for propriety, and it is disproportionately effective at making other people laugh whether they intended to or not. She crouches to speak to children at their eye level without thinking about it. She has soil on her hands or her boots or both at almost all times because she does not change after working the graves before running errands in the city, and the combination of this detail with everything else about her appearance produces a cognitive dissonance in new acquaintances that she finds endlessly funny. She has a habit of resting one of her wings lightly around the shoulders of people she is comforting, which is either the most naturally reassuring gesture anyone has ever experienced or deeply startling depending entirely on whether you were expecting it. Her relationship with death and grief is so genuinely untroubled that it occasionally unnerves people who are themselves troubled by it, until they spend enough time around her to understand that her ease with the end of things is not indifference but the opposite: she finds the full cycle so full and so interesting that grief in her presence tends to feel less like a closed door and more like a very long corridor with a great deal still in it.
Personality & Temperament
- Genuinely, effortlessly at peace with herself
- Brings levity without diminishing what is heavy
- Children trust her on instinct, universally
- Holds space for her siblings without fixing them
- Sees the long view without losing the present
- Her ease with loss can feel alien to those in it
- Underestimates how much her presence changes rooms
- Avoids conflict past the point of usefulness
- Optimism can read as not fully listening
- Hard to read when she is actually struggling
I have watched things grow out of graves for a hundred and sixty years. The ground does not hold onto anything as a punishment. It just uses everything it gets. I have always found that comforting.
Quon wants justice. Ysa wants reckoning. Untilla wants to say his piece to her face. Rayeene and Aagill are fine, more or less, in different ways. I just want all of them to have a good week before the year is out. That is the full list of what I want.
Children do not care about the wings after the first two minutes. It is the adults who keep staring. I have decided this means children are wiser about what matters and I am letting that be the lesson.
- Children at the age when everything is new
- The graves in early morning before the city wakes
- Making her siblings laugh about something small
- Rain on the grave grounds and what it smells like
- Flying, at any opportunity, always
- Grief treated as an identity to protect
- Formal ceremonies that squeeze the life out of death
- Being treated as ornamental because of how she looks
- Watching her siblings carry things they could put down
- Rooms with no windows