Murdok Redscar
Basic Information
Bloodline Ability
This Bloodline ability has not yet been unveiled to you.
Physical Description
Murdok stands at 6'4" and is built like the Redstone Range itself: dense, hard, and seemingly indifferent to what the weather is doing. He is barrel-chested in the way that arena fighters from Urakkis tend to be, not the large, showy muscle of someone who trains for appearance, but the compact, dense power of someone who has been hit repeatedly by things that wanted to kill him and had to continue fighting anyway. His skin is the dusty grey-green of Urakkis's desert orcs, weathered by years of heat and sand, and his lower tusks are filed to neat points which is, in Urakkis, considered a sign of discipline and personal maintenance. His head is shaved close. His eyes are amber, steady, and have the particular quality that experienced fighters develop: they are always slightly ahead of wherever they appear to be looking.
The scarification is the first thing most people notice, once they recover from the initial impression of his size. His arms, shoulders, chest, and the visible portions of his back are covered in elaborate ritual patterns, cuts made precisely and allowed to heal in raised ridges that document every arena victory, every significant kill, every achievement worth recording in Urakkis's tradition. Each pattern has a specific meaning. He knows what all of them say. He has occasionally found, to his genuine surprise, that people in Goodberry ask him about them out of curiosity rather than recognition, and he is still working out how to feel about that. He now wears shirts with some regularity. This is new.
He does not fidget. This sounds like a small thing and is not. Murdok at rest is completely still in the way that large, dangerous animals are still, not relaxed, exactly, but conserving. In Urakkis, constant motion signals anxiety, and anxiety signals weakness, and weakness is a liability he spent thirty years eliminating. He assesses every room he enters within the first ten seconds: exits, potential threats, angles of approach. He does this in Goodberry bakeries. He does this at the market. He cannot stop doing this. It is, at this point, simply how he sees. He bought furniture for his manor three weeks after moving in, very functional furniture, placed so that he always has his back to a wall, and has not yet bought anything for decoration, though he stood in front of a window display in the market district for some time the other day looking at a painted clay pot with an expression nobody nearby could interpret.
Personality
- More observant than he looks
- Completely honest; alarmingly so to some
- Loyal to anyone who treats him with genuine respect
- Has an unexpected dry humor
- Quietly curious about the world
- Does not complain about his problems
- Finds Goodberry's softness genuinely baffling
- Assesses every person he meets as a potential opponent
- Suggests resolving disputes by fighting
- Struggles with strange human customs
- Bored without physical challenge
- Has not told anyone from Urakkis about his manor
"In Urakkis, if someone bothers you, you fight them. Here they make you tea. I do not understand the tea." [Pause.] "It is not bad tea."
"The manor is..." [Long pause. He appears to be choosing words with great care.] "...acceptable."
"I am not staying. I have said this several times now." [He has been in Goodberry for months. He shows no signs of leaving.]
- The food in Goodberry, though he won't admit it
- Training alone in the early morning when the city is quiet
- Direct people, anyone who says what they mean immediately
- The particular quiet of Goodberry at night
- Sparring with Astrid Shieldrose, who actually tries
- The garden attached to his manor
- Being stared at
- Small talk
- People who go soft on him in a fight out of politeness
- Being asked to explain his scars
- How long everything takes here
- That he has not left yet
Background & History